Frederick Douglass Vs. Olaudah Equiano Slave Narratives Essay

Frederick Douglass vs. Olaudah Equiano Slave Narratives According to Abraham Lincoln, â€Å"Slavery is founded on the selfishness of man’s nature; opposition to it on his love of justice†. Frederick Douglass published a book on his life that he wrote in 1845, titled â€Å"Narrative of the Life of Frederick Douglass†. It has been said that he followed in the footsteps of Olaudah Equiano who also written an autobiography known as â€Å"Narrative of the Life of Olaudah Equiano in 1789. In the book the â€Å"Narrative of the life of Frederick Douglass†, the author takes his reader with him on his personal life journey to when he was born into slavery all the way until his freedom. The author introduces the beginning the narrative by saying that he is from Tuckahoe, Maryland continues by telling the reader that his mother named Harriet Bailey and was an African-American woman, who also had African American parents who were both colored. However, it has been sa id that his father was a white man that was also his master. Additionally, Douglass was separated from his mother when he was an infant and he never saw her to really know her as his mother. According to the author, he says he had two master in his lifetime, the first named, Captain Anthony who was a cruel man. Similarity, Olaudah Equiano also published an autobiography that was titled â€Å"The Narrative of the life of Olaudah Equiano†in 1789. Olaudah Equiano starts his narrative by talking about his birth place known as Nigeria in Africa.Show MoreRelatedAdvocates for the Abolition of Slavery: Olaudah Equiano vs. Fredirck Douglass902 Words   |  4 Pagestodays world. However, slaves all around the world were subjected to harsh treatment and grueling tasks like these throughout the 18th and 19th centuries. As a way of spreading accounts of these miserable lifestyles, slaves Frederick Douglass and Olaudah Equiano documented their horrifying experiences and published accounts of them. The Narrative of the Life of Frederick Douglass and The Interesting Narrative of the Life of Olaudah Equiano highlight the cruelty towards slaves during the era of realism

Music - The Hip-hop Movement Essay - 1650 Words

Music - The Hip-hop Movement Hip-hop has become a new cultural phenomenon in North America and has become quite popular all over the world. Hip-hop began in the 1970s in New York City where it has its origins in the African-American community. However, because of music videos, Hip-hop culture has become accessible to everyone in society and has merged into mainstream pop culture. Hip-hop culture may not have been as popular if it was not for the accessibility of this new media. The Hip-hop movement began in the 1970s in the Southern Bronx of New York City. There are endless controversies surrounding the beginning of hip-hop, as no one is really quite sure what was the defining point. However, what is evident from every critique†¦show more content†¦By using two turntables, or two record players, DJ Kool Herc mixed percussive fragments from older records with popular dance songs to create a continuous flow of music (Tate). Along with this new medley of music came new forms of dancing. Since many different kinds of music began to be mixed together, such as funk, disco, rock, jazz and reggae, people started to create a new dance form that embodied the patterns the deejays created on the turntables. This new dancing was called breakdancing or b-boying. It was called breakdancing because the movements that the dancer performs seem strong, jerky, and mechanical. Breakdancing entailed athletic skills and movements where dancers use full body movement to pop and lock their muscles and limbs. Pop and lock are descriptive terms that speak for themselves. Breakdancing is quite hard to master, especially for women, as hip-hop is a dance form created by men. . . [and] requires considerable upper-body strength. Proper balance of weight is crucial (Forster 28). Also, while in most forms of traditional dancing, the spectators of the dancers remain passive, hip-hop performers encourage their audience to be involved, c ausing a real dialogue with the disc jockey (Chan). In addition to the music and dancing came rappers, who were originally masters of ceremonies at parties and affirmed the crowds response to proven breaks, win[ning] them over to new breaks, divert[ing] themShow MoreRelatedHip Hop : A Cultural Movement And Popular Genre Of Music Essay1920 Words   |  8 Pagesthat there s some kind of unity in hip-hop. We all found something that s really important to us, and music is all we ve really got† – Missy Elliot. Hip-Hop is a cultural movement and popular genre of music that emerged during the early 1970 s by working class Black youths in New York City. The cultural movement has rapidly expanded across different countries and ethnicities over the years, becoming one of the few markers that define a generation. Hip-Hop can be seen as â€Å"the fundamental matrixRead MoreHip Hop Essay955 Words   |  4 PagesIn the last three decades, Hip Hop music has evolved into one of the largest youth influencers. Uplifting the youth, Hip H op provides a voice to a group of people trying to deliver a message. Whether it is politcally, culturally, racially, or socially, the music speaks for people with a variety of beliefs and passions. Hip Hop and Rap music espands people’s horizons, and promotes the idea of equality between interacial communities. The Hip-Hop music movements emergence can be traced back to theRead MoreHip-hop was a cultural movement. It emerged in the early 1970s from the South Bronx. Hip-hop came1300 Words   |  6 PagesHip-hop was a cultural movement. It emerged in the early 1970s from the South Bronx. Hip-hop came from the â€Å"ghetto† and it became a cultural force of social protest and creativity. But from the 1990s and onward hip-hop changed from a cultural creative production to one of mass consumption. Hip-hop began to grow and through mass marketing targeting larger and whiter audiences hip-hop evolved in to relying on the images of crime and sex. Hip-hop has changed from a tool of social change to cars, womenRead MoreThe Impact Of Hip Hop Music On America1491 Words   |  6 Pages there was Africa. It is from Africa that all of today’s Black American music whether it be Jazz, Rhythm and Blues Soul or Electro music etc., is either indirectly or directly descended from all African c ulture and tradition. Today, Hip-hop music in America is generally considered to have been pioneered out of New York s South Bronx in the early 1970’s by a Jamaican-born DJ Herc. By the time mid-1970s, New York s hip-hop gained wide-spread popularity and the scene was dominated by seminal turn-tablistsRead MoreThe Origination Of Hip Hop1237 Words   |  5 PagesThe Origination of Hip Hop Laresia Parks English III, Period 05 2 December 2015 Hip hop finds its ethnic origins in Jamaican music and DJs in the seventies who used two turntables to create longer drum breaks in records for dance parties giving rise to â€Å"break dancing† and â€Å"break dancers† now known as b-boys and b-girls (A Closer Look At a New Hip Hop Movement). DJs and MCs popularized the technique of speaking over beats and the culture expanded to include street dance and graffiti art. EmbracedRead MoreHip Hop : The Rise Of The Post Hip Rap Generation1168 Words   |  5 Pagesis the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youthRead MoreThe History of Hip Hop Music and Its Transition to Popular Music905 Words   |  4 PagesHip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents inRead More Hip-Hop as a Cultural Movement Essay1570 Words   |  7 Pages Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past fo ur decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early partRead MoreEssay on The Globalization of Hip Hop Music1498 Words   |  6 PagesAccording to Wikipedia, Hip-hop music, also called rap music, is a musical genre consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching, breaking/dancing, and graffiti writing. Hip hop is also characterized by these other elements: sampling (or synthesis), and beatboxing. Hip hop music developed from partyRead MoreA Response to â€Å"Hip Hop: a Roadblock or Pathway to Black Empowerment†1110 Words   |  5 PagesLancaster ENGL- 1301 18 September, 2012 A Response to â€Å"Hip Hop: A Roadblock or pathway to Black Empowerment† Geoffrey Bennett’s article Hip Hop: A Roadblock or Pathway to Black Empowerment illustrates the influence hip hop and rap music has had on not only the music industry but mainstream culture, African Americans to be specific. Geoffrey Bennett, a senior English Major from Voorhees, New Jersey goes over many aspects of how hip hop came to be â€Å"the forefront of American attention.† He starts

Music Lyrics being Nonviolent Essay Example For Students

Music Lyrics being Nonviolent Essay Rap music can be considered a style of art, and a way for the artists to expressfeelings through their words on paper. However, there are quite a few rap artists that getcriticized for their lyrics. In my essay, I want to discuss why rappers use certain lyrics intheir music and why people shouldnt believe that it causes violence among the youngergenerations. People shouldnt censor the music just because of violent, vulgar andabusive messages it promotes to the world. I believe in my own mind, that there is areason for these types of lyrics that rap artists use and I will simply explain those reasonsRap has been called one of the most important music forces to emerge in twodecades. Its pounding beats and staccato rhymes exploded on the streets of the urbanAmerica in the early 1980s and since have become the theme music and lyrical heart ofthe vibrant youth culture called hip-hop ( SIRS 1993). There are many different types of rap artist. There are some that talk aboutmoney, some talk about righteousness, and the list goes on and on. Every rap artist hadtheir own way of expressing themselves. There are those that talk about sex, drugs, andviolence who receive the negative attention( SIRS 1993). People, think this so- calledgangster rap is a bad influence on children in the world and that it promotes violence andthat it also is abusive to women. Delores Tucker, head of national congress of blackwomen has been among those pressuring different record companies to stop distributinggangster rap music. There were other significant names that participated in this action. Names like Senate Majority leader Bob dole, and former education Secretary William J. There are some rap artists that have been openly criticized for their lyrics. Rappers like Lil Kim, Too Short, Snoop Doggy Dogg, and a member from Too LiveCrew, named Luke Skywalker. These rap artists in the past have been appointed for thethings they say in their music. Lil Kim talks about sex in her music, Too Short talks aboutdrugs, sex, and how much of a pimp he is, and Luke Skywalker talks about girls and sex. The lyrics that these rap artist use in their music might not be suitable for everybody tolisten to but I dont think their music should be banned or criticized because you donthave to listen to it if you dont choose to. Rap music, how much influence does it really have on its youthful listeners?Many, from record company executives to high school students agree that it plays acritical role in the lives of many tans, affecting the way they dance, dress and speak(SIRSPersonally, I feel that rap music is a form of art. I think it takes a great deal oftalent to write lyrics that rap artists write, because you have to use metaphors and similes,and at the same time get your point across so the listeners can understand. I give rappersa great deal of credit because I know it took them a long time to get where their at today,and I know it takes a tremendous amount of time to write a song. Its also true and I strongly agree with that rap artists use lyrics that reflect ontheir childhood and the way they grew up. That could be the reason why gangster rappersand rappers talk about sex, drugs, and violence in their music because that was what theywere exposed to through out their life. Rap artists generally write about what they knowbecause it is easier to write about things and situations that you know, and if sex, drugsand violence is what you know about, then you are going to write about situations thatinvolve those subjects. Not just write about them in hopes to cause more violence in ourYoung rap fans caution it is wrong and simplistic to believe music can dictatetheir actions. Upbringing and circumstance steer a childs behavior, they say, not a recordon a turntable or a performer posturing on stage(Newsweek, 1998). .u9109afceb3a65aee735d6933d871a112 , .u9109afceb3a65aee735d6933d871a112 .postImageUrl , .u9109afceb3a65aee735d6933d871a112 .centered-text-area { min-height: 80px; position: relative; } .u9109afceb3a65aee735d6933d871a112 , .u9109afceb3a65aee735d6933d871a112:hover , .u9109afceb3a65aee735d6933d871a112:visited , .u9109afceb3a65aee735d6933d871a112:active { border:0!important; } .u9109afceb3a65aee735d6933d871a112 .clearfix:after { content: ""; display: table; clear: both; } .u9109afceb3a65aee735d6933d871a112 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9109afceb3a65aee735d6933d871a112:active , .u9109afceb3a65aee735d6933d871a112:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9109afceb3a65aee735d6933d871a112 .centered-text-area { width: 100%; position: relative ; } .u9109afceb3a65aee735d6933d871a112 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9109afceb3a65aee735d6933d871a112 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9109afceb3a65aee735d6933d871a112 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9109afceb3a65aee735d6933d871a112:hover .ctaButton { background-color: #34495E!important; } .u9109afceb3a65aee735d6933d871a112 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9109afceb3a65aee735d6933d871a112 .u9109afceb3a65aee735d6933d871a112-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9109afceb3a65aee735d6933d871a112:after { content: ""; display: block; clear: both; } READ: After the Reconstruction years, blacks and whites EssayThere are other reasons why gangster rappers should not be criticized for theirlyrics. One reason is that I would rather hear gangster rappers talk about violence on thestreets than them actually going out on the streets and participate in the violence. Anotherreason why rappers shouldnt be criticized is because the world was violent long beforerap was invented, and it is not rap music that is making the world more violent then it isalready. I strongly believe that people have the freedom of choice to listen to rap musicand if you dont like what rap artists talk about, then you do not have to listen to themusic. If peo ple didnt have a choice that would be one thing, but as long as people havea choice to do or not to do something then they shouldnt try to criticize it. To me, rapmusic is more than a strain. It is the reflection of horrible suffering, struggle and pain ofthe ghetto life. I feel that art reflects life, so I ask myself why arent the National Blackleaders like Delores Tucker, more concerned about where the source of rap music existsthan the work denuding these types of harsh conditions(SIRS 1993). I think that kids know the difference between right and wrong, music andreality. They know its not right to go kill somebody and if there driven to that, thats notthe fault of the music, says Jon Shecter, editor of The Source, a rap magazine(SIRSIf the people throughout the world that criticize gangster rap music would beginto really care then they would try to find and fix the conditions that this art of musiccomes from and stop criticizing the artist. In other words, the abusive language and riseof violence found in most gangster rap songs are the reality of our present day society. Americans should be mature enough to realize that not talking about something wontPeople talk about the violence of gangster rap music, but look at the violence wesee on television everyday, on almost every channel you turn to. Violence is everywhere,you might see or hear something violent every day of your life, whether it is ontelevision, radio or in real life. Violence has been existing for hundreds and hundreds ofyears, gangster rap music hasnt remotely made violence more intense or worse than italready is( Surveys, pg. 1).So is it then fair to pin point rap music and blame its lyrics onthe violence happening around the world? Teen-agers, both black and Latino, say it is thedriving beat that attracts them and many other young people to rap. That, and the musicshonesty(SIRS 1993). Its not the guns and drugs that make them like the music. Therappers arent saying to solve a problem you must kill, they are just stating what theyknow. In which, ever since they were young, that violenc e around them always ends in ashooting or stabbing, so is it right to blame them for singing about it when really theySex in rap music shouldnt be criticized either because look at all thepornography that is in the world today. There are magazines that are being sold nearlyeverywhere. They have triple X rated movies that could be purchase and you could rentthese kind of movies at your nearest video store(Showbiz, pg. 1). So, lyrics that talkabout sex cant hardly be no worse than the movies and magazines being sold all over theWhen rappers talk about drugs in their songs, they could be talking about howdrugs were used in their neighborhoods growing up, and maybe they had to sell drugs fora while to put food on their table( Newsweek 1998). I feel, people get confused aboutwhat the rap artist is trying to say to people. They are missing the whole point. Justbecause rap artists talk about drugs in their songs doesnt mean they are actually sellingthe drugs or using the drugs. These rap a rtists are making thousands of dollars just bymaking records, why would they go out and sell drugs? That doesnt make any sense. .u25ec1822afdca35d72fcd378edd566af , .u25ec1822afdca35d72fcd378edd566af .postImageUrl , .u25ec1822afdca35d72fcd378edd566af .centered-text-area { min-height: 80px; position: relative; } .u25ec1822afdca35d72fcd378edd566af , .u25ec1822afdca35d72fcd378edd566af:hover , .u25ec1822afdca35d72fcd378edd566af:visited , .u25ec1822afdca35d72fcd378edd566af:active { border:0!important; } .u25ec1822afdca35d72fcd378edd566af .clearfix:after { content: ""; display: table; clear: both; } .u25ec1822afdca35d72fcd378edd566af { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u25ec1822afdca35d72fcd378edd566af:active , .u25ec1822afdca35d72fcd378edd566af:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u25ec1822afdca35d72fcd378edd566af .centered-text-area { width: 100%; position: relative ; } .u25ec1822afdca35d72fcd378edd566af .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u25ec1822afdca35d72fcd378edd566af .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u25ec1822afdca35d72fcd378edd566af .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u25ec1822afdca35d72fcd378edd566af:hover .ctaButton { background-color: #34495E!important; } .u25ec1822afdca35d72fcd378edd566af .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u25ec1822afdca35d72fcd378edd566af .u25ec1822afdca35d72fcd378edd566af-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u25ec1822afdca35d72fcd378edd566af:after { content: ""; display: block; clear: both; } READ: Trifles By Susan Glaspel EssayThere are plenty of artists that are positive, and speak positive aspects in theirmusic about life, like A Tribe Called Quest, the Roots, De La Soul, and many others. Sofor those that think that rap music has a negative effect on children, and people in theworld, there are a lot of rappers that speak unity, and things that are positive aboutlife(Showbiz, pg2). If a person could listen to some of these positive rap artists, theycould learn about life. There have been plenty of times where I was in a terrible mood orI was upset about something, and I popped in a CD of a rapper, and after I was finishedlistening to the CD I felt much better. The words and phrases used, are words of actuallife events and the positive things or outcomes of them. In conclusion, I speak in favor of gangster rap, and I dont think people shouldcriticize these rap artists because they are speaking the truth. Situations theyve been inare shown through their lyrics and we need to try to find the source of the probleminstead of criticizing the person speaking about the problem. Drugs, Sex, and Violenceare what gangster rappers are considered to be glorifying, but drugs, sex, and violencewas in effect long before rap music was even thought of and so we shouldnt use the typeof music against the type of behavior caused by teens around the world. Bibliography:

Love free essay sample

# 8217 ; s Labor # 8217 ; s Lost Essay, Research Paper Subject: My paper study came a spot late but I was highly exited to travel. I got to watch # 8220 ; Love # 8217 ; s Labor # 8217 ; s Lost # 8221 ; preformed by the play section in Juilliard School in Manhattan. I went entirely and got through on a waiting list. I neer read the drama and had no thought what to anticipate. It turns out that a drama is much easier to understand if you are watching people move it out on phase than if you are reading it from a book. And that drama was meant to be watched. It was full of vague gags, and unusual linguistic communication which is relevant to the times when it was written but does non look to do sense to the modern reader. The histrion # 8217 ; s organic structure linguistic communication, the look on their faces and the general motion on phase tells the narrative about independently of the written drama. In other word # 8217 ; s how the histrions say their lines matter every bit much as what they are stating. I understood why a drama is supposed to be seen on phase instead than read in a schoolroom. The first thing to observe about the production was that it was moved out of its clip frame. The original drama takes topographic point someplace in Shakespearean times in Europe. This version puts the histrions in modern vesture. The are portrayed as school kids at drama more than grownups. The whole drama tied into the subject of Cupid and the futility of trying to defy love. Everything is about motion and it seems about as a concert dance or an luxuriant dance production. The gap act starts with four immature work forces ( Navarre, Berowne, Longaville, and Dumain ) doing an absurd treaty to give 3 old ages to analyzing and abstain from adult females # 8217 ; s company and all other # 8220 ; earthly delectations # 8221 ; . On phase these work forces seem more similar kids. They are have oning school male child # 8217 ; s vesture and brandish wooden blades to do a treaty. In the center of the phase in a small school house with a schoolroom indoors. The quartet is transporting bo ok bags and speak in overdone tones. The colourss are really vivacious and lively, giving the phase more motion and a feeling of light spirit. Once the four have made their vows, Cupid will hold his retaliation. He finds his retainer in the signifier of Costard the buffoon who in the production appears as a # 8220 ; Spanish ghetto # 8221 ; jokester in loose-fitting denims and a batch of really colourful shirts. The drama is full of sexual insinuations, heavy flirtation and even a few blame Numberss. I have neer hears Shakespeare being raped before but it seemed to hold a good round to it. In the 2nd motion we are introduced to the four ladies of the drama: Rosaline, Maria, Katharine, and the Princess of France ) . They are dressed as adolescent misss with a hazardous manner sense. Their characters are really distinguishable with one stand foring a swot, one a athleticss athlete one a coquette and the Princess a strong independent adult female. The ladies are ready for a warm response but Navarre, being true to his treaty, refuses to allow them in. Thus they are ready to help Cupid in his retaliation against the chesty work forces who thought to disregard his pointers. Here each histrion seems a buffoon with a batch of overacting. Each gesture is bright and obvious, giving the spectator as much aid as possible with the apprehension of the drama. The music is unrecorded and really sad contrasting what happens on phase. It prepares the audience for the inevitable tragic stoping of the drama and tones down the brassy playing. Soon all the male childs break their curse and autumn in love with the immature adult females and the clever and crisp flirtation Begins. What the drama lacks in lucidity of words it makes up in the look on the actor’s faces. Boyet is interestingly adequate portrayed as a wild bisexual, Armado is demoing homosexual inclinations as good. That makes the drama more â€Å"fun† for the modern spectator and brings the gags down to the degree where they can be appreciated more by the audience. The histrions were all immature pupils of the school but their accomplishments were non equal. Costard took the audience by storm by being what he was supposed to be # 8211 ; a buffoon. I forgave the ill-mannered gestures, the wild motion on phase and the unusual blame figure because it was in the character. The performing artist was non inhibited and felt at place making anything on the phase. Surprisingly the character of King Navarre seemed black and level, acquiring lost in others. I am non certain what is written for Navarre in the drama but it seems the histrion lacked passion and failed to convert me in the love scenes. The merely good portion was the # 8220 ; reclamation of the curse # 8221 ; scene where his duologue was light and cagey. Outstanding was Berowne # 8217 ; s public presentation, the histrion went all out and was about excessively existent to watch. He was amusing when he had to be, the soliloquies came out clear and easy, and the more serious lines were said with passion but non overplayed. He made the audience portion his point of position, he carried the temper through and you can see how difficult he was working by the perspiration on his face. The female characters were less noteworthy and mostly overplayed. The seem to hold been reduced to the platitude of # 8220 ; the swot # 8221 ; , # 8220 ; the athlete # 8221 ; , # 8220 ; the coquette # 8221 ; , and # 8220 ; the Princess # 8221 ; . The were utile in transporting through the secret plan but were non a pleasance to watch. Merely the runing scene raised my involvement. I am really glad that I had the chance to go to this drama and see it performed unrecorded right before my eyes. I neer knew how exiting and entertaining it can be. Actors create a connexion with the spectator, and their public presentation is effected by the temper and the response of the audience. I was sitting in the first row and felt about like the full drama was being acted out for me entirely. And I am certain that everyone around me had the same feeling. The change to the scenes, the costumes, the vocals, and the occasional phrase that was added by the histrions themselves ( like # 8220 ; Oh, babe # 8221 ; ) was justified by the overpowering response of the audience. If you ignore the unusual gags and vague lines and see this drama as a faint comedy it is a pleasance to watch.